Continuing on the thread that I can't seem to clip and bring to a stop, the best time of my college life is usually spent on the vastly infinite expanse of Netflix. I was recently given the Australian adventure-comedy show Danger 5 to binge after I finished a few select others over the summer. Well, let me rephrase that. I lost a bet and had to watch the pilot with my boyfriend and, let me tell you, I still have no clue what the hell is going on. I've seen about 5 episodes and the only thing that I can actually tell you is that it was filmed rather recently but looks like it was made in the 70s, both visually and audibly (which btw, is so goddamn cool). I've also learned that every episode they are given a new mission and, of course, they must try and kill Hitler. I think Hitler is trying to steal famous monuments from around the world like the Eiffel Tower and the like. I honestly have zero idea what is going on but it's constructed in such a way that it's coherent enough to look like none of it is nonsense when, in fact, it's literally nothing but pure nonsense. While the show is made so it looks like it's straight out of a time that is not this current one, it's clearly got technology on its side. Reconstructing the sets, lights, and the rest of the jazz to look 1000 years old, Danger5 tends to showcase the type of humour that could easily be from today or the past, which I adore. It's funny with its running gimmicks and jokes but also has gags that poke fun at the era that it's desperately trying to recreate. Spoiler, they are actually doing it better than the poor folks who made the inspirational material in the first place. The show incredibly has enough plot for those who actually want a show to watch with a little bit of weight to it instead of the class 'binge because it's got nothing going on'. Danger 5 does have a running storyline, it's just the fluff around it that's a little crazy. Ok, a lot of crazy. There's a lot of weird puppets and giant animal-headed people but honestly, that sounds like a normal Tuesday night for me. I totally recommend at least watching the pilot and appreciating the hard work that all of the hardworking people at D5 did in order for this show to become a reality.
Kung Fury is by far my favorite piece of cinematic work that I have seen since Interstellar. It is nothing like Interstellar, in fact it is quite the opposite. The creator David Sandberg wrote, directed and stared in this epic clusterfuck of a short film.
Kung Fury is set in 1985 on the streets of Miami. A bunch of ridiculous evens start happening, such as arcade game machines coming to life and killing people as well as Hitler coming to continental America. All in all Kung Fury it is just a crazy film shot to be a satire on 1980s films with a bunch of ridiculous jokes. That being said, I have never laughed so hard in my life.
The entire film is filled with jokes. There is literally never a serious moment in the film from start to finish and while this may seem like a bad thing, it is truly beautiful.
While being totally unbelievable in both plot line and in appearance, I would've believed that I would hate it, however It truly amused me. It is not a deep piece, or very an expensive piece but I can say with all honesty that If you are looking to watch something you have never seen anything like before, and laugh while watching that you should watch tis movie.
1982. A year of big hair, The Rolling Stones, and a lack of child services intervention. Kidding... kind of. Jeremy Breslau's latest award-winning short film gives us a look into a man's memories of his troubled childhood, and the result is incredible.
From the detailed production design to the flawless camera work, what you get is an astonishing piece of visual art. The film starts in the modern day, with a father putting to bed his scared son in the middle of a thunder storm. From there, we dip into a montage of the father's childhood, where the true filmmaking magic happens.
The camera never stops moving. The entire flashback feels like on long sequence, with seamless transitions and barely any cuts during each memory. I was floored, pausing and replaying each scene, wondering how and where each transition took place. The flashback takes up most of the ten minutes, but you won't be disappointed with any second of it. Here's Jeremy Breslau's "1982":
Does the camera work look familiar to you? If you've ever seen the film "Children of Men", that's why. Cinematographer Frank Buono was the man who designed and shot the infamous four minute long, one shot car scene. Here's the clip of the scene, plus a behind the scenes look at the making of it.
Besides Alfonso Cuarón, Buono has worked with filmmakers such as Spike Jonze, Steven Spielberg and Michael Bay, and now, with 1982, has obviously proved himself as an accomplished cinematographer.
The editing, done by Alan Edward Bell, also stood out to me in cooperation with the cinematography. The transitions were fluid and basically seamless. Additionally, although shot with a "real time" feel, Patrick M. Sullivan Jr.'s work on the production design brought a real sense of change, which really drove home the "montage-ness" of the scene.
Finally, the small, subtle attention to detail truly amazed me. From the scar on the boy's hand to the quick moment where the father lingers his hand on his neighbor's for a second too long, it all seemed natural and not in your face. This only attributed to the "real time" feel, as there were no cuts to exaggerate or emphasize a particular moment in time, which I felt was an excellent decision.
Brasleau is currently in development of his next short film, "The Chaplain". If you want to learn more, you can check it out on his Kickstarter page here.
Continuing on the thread that I can't seem to clip and bring to a stop, the best time of my college life is usually spent on the vastly infinite expanse of Netflix. I was recently given the Australian adventure-comedy show Danger 5 to binge after I finished a few select others over the summer. Well, let me rephrase that. I lost a bet and had to watch the pilot with my boyfriend and, let me tell you, I still have no clue what the hell is going on. I've seen about 5 episodes and the only thing that I can actually tell you is that it was filmed rather recently but looks like it was made in the 70s, both visually and audibly (which btw, is so goddamn cool). I've also learned that every episode they are given a new mission and, of course, they must try and kill Hitler. I think Hitler is trying to steal famous monuments from around the world like the Eiffel Tower and the like. I honestly have zero idea what is going on but it's constructed in such a way that it's coherent enough to look like none of it is nonsense when, in fact, it's literally nothing but pure nonsense.
While the show is made so it looks like it's straight out of a time that is not this current one, it's clearly got technology on its side. Reconstructing the sets, lights, and the rest of the jazz to look 1000 years old, Danger 5 tends to showcase the type of humour that could easily be from today or the past, which I adore. It's funny with its running gimmicks and jokes but also has gags that poke fun at the era that it's desperately trying to recreate. Spoiler, they are actually doing it better than the poor folks who made the inspirational material in the first place. The show incredibly has enough plot for those who actually want a show to watch with a little bit of weight to it instead of the class 'binge because it's got nothing going on'. Danger 5 does have a running storyline, it's just the fluff around it that's a little crazy. Ok, a lot of crazy. There's a lot of weird puppets and giant animal-headed people but honestly, that sounds like a normal Tuesday night for me. I totally recommend at least watching the pilot and appreciating the hard work that all of the hardworking people at D5 did in order for this show to become a reality.
