De Last Post

DE LAST OF THE POSTES

     I probably should have gone the route of writing this blog post in the beginning of the week before my sanity packed up a suitcase and left in the middle of the night, but it just sent me  a postcard from the happy recess of my mind so here it goes before I forget.  

     Just like everyone else probably I must reflect on the past year in Fiction Field 2, it had and has its ups and had and has its down, but one thing is for sure...I learned a lot. I learned a lot about production, myself, and other people. Highlights include the workshop with David Scalafile and the Sound Workshop in the Field with Jeff Pullman, and of course the Beautiful Stopover City!

     This was the first semester where I was actually given a taste and an idea of the what the actual industry is like outside of work in the way of making film and television, and i'm happy to say I was excited and optimistic by what I saw. I definitely have a batter of understanding of what i want to do outside of college and what I need to be doing now to get there. 

     Going off that tangent, there is a lot that I know nothing about and there is a lot that I need to learn and fast. I am always over my head but slowly I feel like I am swimming up to the surface and hopefully my next film will go a lot smoother and more stress free than this one. I am so thankful for everyone who helped out on this project and their experience and dedication, I only wish that our in class group was bigger so we didn't have to rely on so many outside sources, as most of them had to take time out of their extremely busy schedules to help us, thank you to all you lovely people!

     To this semester and to this class I say Adios! And in some ways just good riddance, I can't wait to leave the inexperience of this semester behind on my part and now tackle bigger issues that I need to work on to be the best filmmaker I can be.  

Why you should be using Lynda.com everyday

LYNDA.COM, FREE...NICE

     So now the secret is out that Lynda.com is free to all of us students here at Ithaca College, and it's kind of a big deal. Why? Because in case you didn't know Lynda.com has an insanely large library of tutorials and resources, often times each tutorial being 2-3 hours. Especially in the camera department. So instead of browsing mindless Facebook posts or youtube for hours I suggest utilizing your time to learn, and become better at what it is you want to do. 

     I've always been a believer that education outside the classroom is equal and often times more important than that inside, especially in the medium we are in. Experience is key is learning and taking what we learn from the classroom into real life is where we synthesize and internalize.Lynda.com acts much like the classroom, often times giving assignments or tips on how to succeed in the field, and being able to take it at your own pace, and pick and choose what you want to learn, has been extremely valuable to me.  

     Lately I've been on a quest for knowledge, ingesting as much information as I can successfully and the resources we have now in this age are broader and vaster than ever before. There really is no excuse why our generation shouldn't be able to put out the best content in the history of the medium. Learning to utilize these tools is going to determine what the future of film is going to be and I intend to utilize all my resources until I can be the best I can be, which is a looooonnnnggg way off from now. 

     In summation, you have a fantastic resource that is free at the click of a finger. Use it and I promise you you won't regret it. 

Sound Workshop

SOUND WORKSHOP 

by Josh Tomany

     I went to the sound workshop this past Sunday and I do not regret it. Even though sound isn't necessarily the field that I want to go into it is extremely important to understand it and to make sure everything is being done in a film to produce the best sound possible. What I learned from these professionals in the four hours I was there I will surely carry with me into future projects and hopefully have future connections in the industry.  

     One thing that I need to say is that the turnout was a blessing and a curse. I understand that it was Cortaca but the lack of people was truly disappointing especially knowing how much effort and time it was to get some of these working professionals to talk to us. That being said I will say that having as many professionals as students there made it an extremely hands on and personal experience, and I think the speakers were more candid and open with us then if it was a lecture type presentation. After the Q&A type portion of the group we split up into even smaller groups, some going to post sound and some going to locations sound. Knowing the challenges and experiencing first hand the devastating feeling of bad location sound I chose to go to that one to benefit myself and my future projects. Fo those who couldn't make it here are some things I gathered from the workshop in general.

1) NYC is a freelance city

2) The industry is often "Quantity over Quality" and the turnaround is extremely tight especially in Network television. 

3) Attitude, timeliness, connections, be fast, develop self discipline

4) The importance of the Union and how and why to join. 

5) Think about the environment you thrive in when picking a job to do. 

6) LISTEN

     Obviously there are many specific tricks I gained especially in the location sound portion but learning about the environment of NYC was really helpful. I didn't know if NYC would be a place I could work in and I always dreamed of LA but now I am definitely considering it an option , and seems more appealing when I consider other factors in my life. It was also really helpful after and in-between moments of "learning" to just talk with the people about the industry in general and what it's like working in the field and how to make it as a human being who wants to make a living and also live. Very helpful, and couldn't be happier that I chose to go. 

Learning from our Mistakes

WE FINALLY SHOT OUR FILM. I REPEAT, WE SHOT OUR FILM IN ONE WEEKEND. I cannot put into words how much better I feel. I am ~glowing~.

Obviously we made mistakes this weekend, some of which could have been prevented early on. If we don't learn from our mistakes, how are we going to get better at anything? So, I compiled this list of some issues we ran into and how we can fix them (for next time).

1. Insufficient budget - Our third day on set was very low budget when it came to crafty, and when the people need crafty, they need crafty. Perhaps we could have set up an Indiegogo campaign like Stopover City did. Then we wouldn't have to worry about paying for food.

2. Poor(ish) location - I threw the 'ish' in there because there were some great things about our location. For one thing, it was a two minute drive from campus--this made it super convenient to haul equipment, cast, and crew there and back. It was also Connor's friends apartment, which made coordinating times to shoot fairly easy and we didn't have to pay for it. However, Danby is a highway where cars drive by at 40 miles per hour and I could hear every single one. This is going to make my life a living hell when I try to edit the sound. I tried to prepare for the damage by putting lavalier microphones on our actors. Next time we'll have to look for a place in a quieter neighborhood, far away from any main roads.

3. Bad timing in the semester - Due to group members' commitment to various other projects, this weekend was literally the only weekend that worked for everyone. What sucked was that it was Cortaca weekend, which meant people's friends from home would be visiting, loud music would be playing, and people would want to take a post-game nap (understandably so). There were a number of times we had to hold for people moving in and out of the house, and I felt terrible keeping these people from sleeping at 3:00 in the morning. Next time we'll have to figure out more than 3 long shooting days and break it up.

4. Bad time of day - We shot our exteriors at Connor's house in the morning and it was cloudy, which was a great thing. But the next two days we were seriously rushing to get in all our daytime shots because there are only so many hours of daylight this time of year. This gave us ample time to shoot our night scenes because the sun went down by 5:00 PM. Next time we should definitely make sure that the call sheets have sunrise and sunset times on them and factor that in to the shooting order.

5. Production design - This also goes along with location scouting issues. Most of the walls in the house are white, which made production design a bitch. This kind of went along with our story though, because our antagonist is supposed to be obsessively clean. If we could do it again, it would be better if the location had different colored walls; this would also make lighting much easier.

6. Call sheet errors/lack of info - Our call sheets looked super professional and that's just dandy, but they were lacking information. Maybe it was because we were trying to accomplish so much in such a short amount of time, but for me they were hard to follow. I would like to see the specifics of what we're shooting on them. Instead of the scene number and a couple word phrase explaining it, I want to see the page number in the script that coincides with the scene, the exact actions the actor takes in the scene, and which actor(s) are needed for that scene. We realized after arriving on set that the call sheet for our first shoot listed both actresses, but we only needed one to be there.

I don't mean to be a negative Nancy, I just want to make sure that I or my group doesn't make the same mistake twice.

Why being fired was one of the best things to happen to me.

Why being fired was one of the best things to happen to me.

     

     This past Monday I was fired, plain and simple. During a workshop by DP Chris Scarafile, camera operator on "Boardwalk Empire" and "Blacklist" I was one of three who volunteered to help set up and demonstrate what a professional production might look like. My job...Grip. 

Here's what I didn't know. 

1) How to use a C-Stand properly.

2) How to put on a tool belt.

3) What the different flags did what.
4) How to put two apple boxes together to make a firm base.

5) How to use tape.

6) How to push a dolly

7) To get out of the way of the lights. 

8) How to not fuck up in a general and very specific sense.

     I was obviously fired in the first thirty seconds. I had no experience or right to be a grip for someone such as Chris Scarafile (or a grip at all). But I knew that I was going to put my foot forward and at least try, and by the grace of god I was allowed to stay and help for the remaining. I am not someone who likes to sit on the sidelines, and as Chris said if someone asks you to do a job you don't know how to do it SAY YES and you can learn in the time between when you're asked and when you're on the job. Unfortunately for me that time was 0 seconds so that really didn't apply to me in this situation...

Here's what I did know and did learned.

1) How to use a C-Stand properly

2) How to put on a tool belt and use the tools on them

3) What different flags did what and what they are used for

4) How to use tape and apple boxes

5) How to use a Dolly

6) How to not get in the way of lights

7) Don't fuck up

8) Always say yes and put your foot forward no matter what

9) How to perform under pressure and do your job

10) Ask questions

11) Give no excuses

12) Change my name and grow a mustache. TRY AGAIN.

13) Never give up

14) Keep a positive attitude

     This was an insanely eye opening and helpful experience. For me, it was invaluable in seeing what the actual industry of what I want to do is like and how I can get in and be a part of it. It showed me the holes in my education at IC and what I need to work on and learn how to do. Most importantly it showed me that your attitude is an extremely important factor in how you learn, how you move up, and how you succeed in this business.

     Though I got my ass kicked, I got out of there with even more excitement and passion than I had before and am extremely thankful for all those who made it possible. 

GRRRRRR

Get ready for  A N G R Y   S A M.

Angry Sam

I'm generally a positive person. I'm always looking on the bright side, thinking about what I can learn from a bad situation, or figuring out how I can improve for next time. But there comes a time when a girl's gotta do what a girl's gotta do. And that is cracking the whip on my group for this project.

Normal, happy Sam

Here's the thing: I have producer experience. I think one of my best skills is the ability to communicate with all types of people and make sure they are comfortable, while increasing their productivity as individuals and the entire group as a whole. However, going into this project, I wanted to do something that would force me to learn more about something completely different. I've always been interested in sound (I'm very involved in the FM radio station at Ithaca College, 91.7 WICB-FM) and I know I won't have time for more audio production classes. :( Volunteering to be the sound girl seemed like the obvious choice to solve my problem. I also scared myself even more by joining the group doing a horror film--I can't even count on one hand the number of horror films I've seen. (Currently working on that). But I came to IC to learn and conquer challengers, so that's what I'm going to do.

Now we're at that time in the semester where I feel like everyone has gone from being super motivated about the project to not giving a sh*t about it. This may not be true, and I hope it's not true; yet through the actions of my group members, (or lack of actions) their excitement is no longer being communicated to me. People don't show up to class, the ONE TIME we're all in the same place at the same time. People are not taking the initiative when it comes to their job. People are showing up late to meetings.

IT'S TIME TO GET OUR SH*T TOGETHER, PEOPLE.

It was not my job to apply for a Pendleton Grant, but I thought that having some money to spend on our production and craft services would motivate my group and make them more comfortable when we're on set together for an entire weekend (starvation = bad!!).

I took Fiction Field II because I wanted to produce a film that I would be proud of. I wanted to go to the screening day and sit with my group and watch our film for the probably 200th time and be excited that all our hard work was finally done. I'm getting the feeling that this may not happen at all, and I'm not the type of person to just say "Ah, well. Whatever." and give up. I cannot do that. I'm gonna whip my group into shape, even if I end up as co-producer.

If any members of my group are reading this, I'm not trying to start a fight with you. I'm trying to get us to work together more quickly and efficiently. We only have nine and a half weeks to produce our film. It's time to step it up.