I edit out of Premiere, which allows for an immense amount of organization as well as customization. You can arrange the window panels in any conceivable way, customizing the size and location of every window and tool imaginable. and don't even get me started on the bins. I LOVE bins. I have bins for everything. I have bins for my clips. I have bins for my sequences. I have bins for my bins. My Premiere projects are complete Binception.
So far, I have only found use for my obsessive organization within the post production process, however, in this class I am trying to push myself and be involved more with the pre prodoction and production aspects of our projects. At first I wasn't sure if I could find a role that suited my organizational skill set, however, on Monday we watched a short interview that described the Script Supervisor/Continuity position, and I think I found what I've been looking for. Having never been a script supervisor on a project before, I cannot say whether I would actually like this position, but just from the short clip we watched, I could see a lot of overlap from my post production skills.
|Notes from a 'scripty'|
Basically, the script supervisor is responsible for keeping the project alive during the production process, which involves a significant amount of work in pre production through script breakdowns, which ensures that the production, which is often filmed out-of-sequence, always makes verbal and visual sense. It also requires an intense attention to detail, making sure that actors motion and wardrobe stay continuous throughout different shots, ensuring nothing will break the moment of the film. The script supervisor gets to work with many different departments on set, making sure each is doing their job correctly and consistently between takes.
That being said, I will be working as the Assistant Director during our project for this class, but I still think my organization and attention to detail will certainly come into play, whether it is from script breakdowns,scheduling, or general on set management. Either way, I am excited to take a step out of the dark editing room and into the light during the production process.